A Passionate
Love, A Passionate Life (1)
“May he kiss me with the kisses of his
mouth! For your love is better than wine; your oils have a pleasing fragrance,
your name is like purified oil; therefore the maidens love you. Draw me after
you and let us run together! The king has brought me into his chambers” (Song
of Solomon 1:2 – 4).
This is how it begins – with passion, exuberance,
and consummation!
It does not begin with backstory; not
with how they first met, not with how their eyes first connected, not with a
first date, not with when they first held hands, and not with an evening kiss. It
rather begins with hearts and minds and souls and bodies alive and vibrant with
exuberance, passion and consummation. Forget backstory – let’s open with joy and
celebration!
The love and marriage of Ruth and Boaz
has backstory, the backstory with them is much of the message; but the love of the
Song of Solomon explodes with consummation and desire and celebration – Let’s
kiss, let’s enjoy the fragrance, let’s run and skip and jump, and O yes! O yes!
Let’s enter the king’s chambers…no wait, let’s not just enter them, let’s run
into them! O yes!
If we approach the Song of Solomon in
any way other than the way it is written, if we ask questions such as, “What is
it about? Who wrote it? Who is it written to? When was it written? Who are the
players?” we rob the Song of its mystery, its allurement, its fragrance, and of
our visceral and holistic participation in it.
When you sit down to a dinner that
another has prepared, whether in a home or a restaurant, do you analyze what
you are about to eat? Do you wonder about the pots and pans used? Do you want
to know if it was cooked on gas or electric appliances? Do you ponder the
origin of the recipe? Do you question the herbs and spices used? If you do, one
thing is for sure, when you finally get around to eating your meal it will be
cold – and then you may blame the cook.
As Ezekiel and John were commanded, when
we come to the Song of Solomon, we are to “eat this book.” We are to take what
is set before us and put it in our mouths and enjoy it – gobble it down, drink
it and become inebriated for it is better than wine, O so much better than wine!
We are to run and skip and hop and jump for there ain’t nothing better than
knowing love, living in love, breathing love, giving love, receiving love, and
enjoying love in all its fullness.
In whatever way it is given to you to experience
the opening of the Song, then experience it! You may experience it in more than
one way – isn’t that beautiful? I think it is. If you have a pulse, then allow
that pulse to quicken, allow your imagination to flow, allow the Holy Spirit to
pull back the curtain on the stage – not so that you watch others act out the
story as you sit in a seat, but so that you may run to the stage and play your
part(s)! There are to be no spectators to the Song, all of us are to be
on stage, all of us.
The first individual church that Jesus
speaks to in Revelation is the church in Ephesus. They were commended for their
good works, for their rejection of evil, and for their perseverance, but yet
Jesus warns them that their deeds are not the deeds of love for they had “left
their first Love.” Jesus tells them that unless they “remember from where you have
fallen, and repent, and do the deeds you did at first” that He will come and
remove them. They must return to their first Love, Jesus Christ; Jesus Christ
must once again be their only Love.
We are to love Him with all of our
heart, mind, soul, and strength; and out of that we love our neighbor as ourselves.
We are to love Jesus Christ with all that we have and all that we are – forever
and ever, we are to belong to Him and only to Him. We are to be in a holy and
pure marriage to Jesus Christ (2 Cor. 11:1 – 3). Our central and core calling
and destiny is as the Bride of Christ – we see the shadow of the marriage in Genesis;
we see its consummation in Revelation 21 – 22.
We also experience shadows and consummation
in the Song. However, the Song is not structured as the entire Bible is
structured. The Bible is structured with first shadows (Genesis 2; Ephesians 5:22
– 32) and then consummation, while the Song begins with consummation and then
escorts us into a dance of shadow and consummation, of consummation and shadow –
of point and counterpoint. (Is this not what we can experience in marriage?)
“Let him kiss me with the kisses of his
mouth!”
This lady “don’t want no hug and kiss,” she
wants the real deal – there ain’t no warm up needed here – she is hungry for
her lover and her lover is hungry for her.
O dear friends, can we ask ourselves
whether we are hungry for Jesus? Is the Church hungry for Jesus?
If we are hungry for Him then how can we
sell ourselves to the things of this world – its entertainment, its value
systems, its economic systems, its political and national systems, its worship
of so-called “freedom,” its scribal and Pharisaical religious systems within
what we term Christianity?
For us pastors and teachers and
professors – have we forgotten that our calling is to join the Bride to the
Bridegroom and then get out of the way (John 3:28 – 30)? We have no business in
the King’s Chambers in our teaching roles, we can only be there as the Bride.
Play the tape, stream it, read it, again
and again read the Song of Solomon 1:2 – 4. What do you see? How is Jesus
coming to you? Get on the stage, start living your role.
Enjoy Jesus and bask in His enjoyment of
you.
Concluding thought:
I grew up listening to and appreciating
many genres of music, including Big Band, Show Tunes, and what I’ll call Popular
Standards of previous generations (1920s – early 1950s; some of which have been
recycled and “covered” over the years). Below is a Standard that I can sing to
two people and only two people, one is Vickie and the Other is Jesus. Can our congregations
sing this to Jesus? If we did, would it be true? We can all learn to sing it,
for Jesus so very deeply desires us to live in His exuberant, passionate, and consummated
love! Jesus desires us to live in Song of Solomon 1:2 – 4.
I Only Have Eyes For You (Harry Warren, Al Dubin)
Are there stars out tonight?
I don’t know if it’s cloudy or bright
‘Cause I only have eyes for you, dear.
The moon may be high
But I can’t see a thing in the sky
‘Cause I only have eyes for you
I don’t know if we’re in a garden
Or on a crowded avenue
You are here, so am I
Maybe millions of people pass by
But they all disappear from view
‘Cause I only have eyes for you.
Do we only have eyes for Jesus?
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